{"product_id":"fosforis-saghebavi-uferuli-akrili-studio-acrylics-100-ml-phosphorescent-gel-colourless-green-pebeo","title":"ფოსფორის საღებავი უფერული (აკრილი) STUDIO ACRYLICS 100 ML PHOSPHORESCENT GEL COLOURLESS GREEN - Pebeo","description":"\u003cdiv class=\"my-4\" data-mce-fragment=\"1\"\u003e\n\u003ch3 class=\"text-sm font-heading text-gray-400\" data-mce-fragment=\"1\"\u003eProduct description\u003c\/h3\u003e\n\u003cdiv class=\"my-4\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePhosphorescent gels absorb natural or artificial light and re-emit it in the dark. There are 5 types of gels: they are slightly dyed in order to distinguish the colours more easily in the day, except for green non-dyed phosphorescent gel. They should preferably be applied thickly with a painting knife.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" wire:id=\"53DdHjeEFVqFCYLJABUE\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"my-4\" data-mce-fragment=\"1\"\u003e\n\u003ch3 class=\"text-sm font-heading text-gray-400\" data-mce-fragment=\"1\"\u003eThe + products\u003c\/h3\u003e\n\u003cdiv class=\"my-4\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAbsorbs natural or artificial light and reflects it in the dark. Glow in the dark gels are tinted to distinguish colours in daylight, with the exception of the untinted gel. Best applied thickly\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"my-4\" data-mce-fragment=\"1\"\u003e\n\u003ch3 class=\"text-sm font-heading text-gray-400\" data-mce-fragment=\"1\"\u003eInstructions\u003c\/h3\u003e\n\u003cdiv class=\"my-4 prose prose-headings:font-heading prose-headings:text-xl prose-p:my-4\" data-mce-fragment=\"1\"\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eI. SURFACE PREPARATION : GESSOS\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eApplications :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eGesso is a primer used for the preparation of surfaces to be painted such as canvas, cardboard, wood, ... It improves the adhesion of acrylic or oil paint layers, and is applied on a clean and non-greasy surface.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Artist Acrylics White Gesso has a higher concentration of titanium white than the Studio Acrylics range, which makes it more covering.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Artist Acrylics Transparent Gesso can be applied on a raw canvas before a tinted Gesso to avoid seeing the crossing on the back of the canvas.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIf you don't want the original color of your canvas to be painted, then choose the transparent Gesso.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eII. STRUCTURAL GELS AND MORTARS\u003c\/h2\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSAND AND STRUCTURE GELS\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003c\/h3\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eApplications :\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003eGels are used in the preparation phase of acrylic colors or in the creation phase. They are used to increase volume and create material effects.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e► Studio Acrylics Sand Texture Gel\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eReady to use, Sand Texture Gel is an acrylic gel that comes with 4 different sand colors. It is best worked with a knife and allows you to obtain grainy material effects, especially for making backgrounds.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e► Artist Acrylics Structure Gel\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eStructure Gel is a high-density gel that, when added to the color, allows you to work in thick layers, and reminds you of the unctuousness of oil. Opalescent and non-yellowing, it is added to the color to obtain a more economical paint. It lengthens the drying time of the colors.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMODELING PASTE\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eApplications:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eModeling Paste Studio is a ready-to-use paste for creating reliefs and impastos, especially for creating backgrounds. It is applied with a knife, and can be mixed with wet color that it will slightly degrade. It keeps the imprint of the tool, can be sculpted, painted and sanded once dry.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAfter drying, it retains its volume perfectly, remains opaque and does not crack.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHigh Density Modeling Paste is thicker and more textured than Studio Modeling Paste. The Artist Acrylics range is more nervous than the Studio Acrylics range.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist Acrylics Light Modeling Paste has a much lighter, airy consistency than the other Modeling Paste.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e► Modeling Paste Studio Acrylics Crackle Effect\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eModeling Paste Crackle Effect is used in 2 steps:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePreparation of the support : Application of phase 1 with a brush in a thin layer to increase the adhesion of the Modeling and promote cracking. Let dry (about 15 minutes).\u003cbr data-mce-fragment=\"1\"\u003eCrackled effect: Apply phase 2 of pasty consistency with a painting knife on the dry phase 1. Phase 2 can be applied alone, or mixed with Studio Acrylics colors (75% modeling \/ 25% color). The thicker the phase 2, the more cracks will appear. Drying time can vary from 1 to 3 hours depending on the thickness of the coating.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTHE MORTARS\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eApplications :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMortars are used to create effects of materials and reliefs, especially for the realization of backgrounds. They are best worked with a knife.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist Acrylics Micaceous Black Mortar is a mixture of acrylic polymer and micaceous iron oxide. It gives metallic effects. It can be used with a knife or a brush.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist Acrylics Pumice Mortar is a mortar based on acrylic polymer and finely ground pumice stone. It offers to the eye a fine material composed of small black particles for fine grain effects. It can be used pure or mixed with acrylic colors. Semi-matt finish.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist Acrylics Sanded Mortar is a blend of acrylic polymer and silica. It allows for grainy effects, and can be used pure or in color gradations, to obtain the most beautiful broken tones. Semi-matt finish.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist Acrylics Crystal Mortar is composed of a mixture of acrylic polymer and quartz crystals. It allows for transparent and granular effects, which play with the reflection of light.  It can be used pure or in a color gradient (preferably choose transparent colors in a mix). Thicker and heavier than other mortars, it should be mixed with Bindex to improve its adhesion to the substrate. Glossy finish.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eIII. MEDIUMS AND GELS\u003c\/h2\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBINDEX\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eApplications :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBindex is used for the preparation of acrylic colors. It can also be used for collages, inlays, to harden paper objects, ...\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhen mixed with colors, Bindex gloss gives them depth and brilliance. The one of the Artist Acrylics range is more consistent than the one of the Studio Acrylics range, it shrinks less when drying and dries faster.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBindex Gloss is also used in Pebeo's mixed techniques to create a protective layer before casting Glaze Resin or Crystal Resin.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBindex is also available in a matte version in the Artist Acrylics line.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e► Studio Acrylics DYNA** Bindex Gloss\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBindex Gloss DYNA is used in the same way as Bindex Gloss but being formulated with interfering pigments, applications will change coloring with the angle of incidence of the light. It exists with 3 different colors of mother-of-pearl.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eGELS\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eApplications :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eGel is used in the preparation phase of acrylic colors or in the creation phase. It increases transparency, depth, volume and drying time, and can also be used for collages and inlays.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt is available in gloss and matte versions. Those in the Artist Acrylics line are more consistent and shrink less when drying than those in the Studio Acrylics line.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e► Studio Acrylics Phosphorescent Gel\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePhosphorescent Gel absorbs natural or artificial light and re-emits it in the dark. There are 5 types of gels: they are lightly tinted to make it easier to distinguish daytime colors, with the exception of the green non-tinted phosphorescent gel. They should be applied preferably with a thick paint knife.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePhosphorescent gels are best applied to light surface colors because they are transparent, and the color of the gel during the day and its phosphorescence at night will be more visible when applied to a white or light surface.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e► Studio Acrylics Sand Texture Gel\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eReady to use, Sand Texture Gel is an acrylic gel that comes with 4 different sand colors. It is best worked with a knife and allows you to obtain grainy material effects, especially for making backgrounds.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e► Artist Acrylics Structure Gel\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eStructure Gel is a high-density gel that, when added to the color, allows you to work in thick layers, and reminds you of the unctuousness of oil. Opalescent and non-yellowing, it is added to the color to obtain a more economical paint. It lengthens the drying time of colors.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e► Artist Acrylics Iridescent Gel\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIridescent Gel comes in gold or neutral, it can be used pure or mixed with colors to give iridescent or pearlescent highlights.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e► Diffuser\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDiffuser facilitates dilution and pigment dispersion of acrylic colors. Ideal for airbrush and watercolor work.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e► Retarder**\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRetarder helps slow down the drying of color when mixed up to 10% with the color. Do not use for outdoor work exposed to moisture.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTHE MEDIUMS\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eApplications :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAcrylic mediums are used in mixtures with acrylic colors in all proportions and at all stages of a work.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist Acrylics Brilliant Medium enhances the brilliance and depth of colors, and is particularly recommended for making glazes.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Artist Acrylics Matte Medium brings a certain degree of mattness which attenuates the density of the color. It can be mixed with the gloss medium to give a satin finish. It is recommended to shake it before use.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTHE BASE MEDIUM and SILICONE OIL\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eApplications:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe smoothing medium or pouring medium can be used in different ways, alone as a gloss varnish applied with a brush, or mixed to :\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Fluidify the colors of the Studio Acrylics or Mat Pub ranges, and thus obtain the desired viscosity without thinning the paint (contrary to adding water)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- For dripping and pouring techniques, mixed with the color to make filaments or poured on a support. It allows you to create clean, smooth marbling and dripping.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- The addition of silicone oil in very small quantities (a few drops) can trigger the process of creating cells.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePossible proportions for the \"pouring\" technique:\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003ewith Studio Acrylics colors: 1 part color \/ 1 part medium \/ 1 part water \/ a few drops of silicone oil to trigger and accelerate the cell creation process\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ewhen using the medium with MAT pub, it will be faster to get closer to a fluid viscosity without adding water\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e(These proportions are proposed as an indication: it is possible to vary them according to the desired effect and finish)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTips for using the \"pouring\" technique:\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eFirst mix the color and water if the latter needs to be diluted. Once homogeneous, add the smoothing medium. Mix slowly to avoid the appearance of bubbles.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eIt is recommended to let the color\/medium mixture rest for about 1 hour before pouring to obtain a homogeneous mixture:\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ethen pour\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eor, if the appearance of cells is desired, add a few drops of silicone oil, mix slowly, then pour\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDifferent types of creations depending on the material and technique used:\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePour and layer the colors in concentric circles to the edges. The medium will allow a smooth, clean, uniform application.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSame technique but rotate the medium so that the initial shapes create new shapes\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePour in a relatively random manner and use a spatula to make the colors overlap.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e(Note: it can happen that with titanium white, cells are created by themselves without adding silicone oil but in a very random way)\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePour the colors together in the same container, without mixing them: inverted cup technique.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e► Silicone oil\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAdditive for acrylic colors to be used in combination with Pebeo's smoothing medium allowing the creation of cells. A few drops are enough in the medium-color mixture (3 to 8 drops maximum depending on the quantity prepared). Adjust according to the desired effect (Be careful, if there is too much silicone oil, it can create \"holes\" in certain places).\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTips :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e The use of a blowtorch on the just poured mixture (smoothing medium, colors and silicone oil) allows the faster creation of small cells (be careful, do not wait until the mixture is dry otherwise the use of the blowtorch will have no impact. And, you must not be too close to the surface to avoid burning the paint).\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eOnce the surface is dry enough to remove the excess silicone oil, wipe with a soft dry cloth or one impregnated with a little alcohol. Do not rub too hard or you may damage the surface of the work.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eIf you wish to cover your work with Gedeo Crystal Resin or Glaze, first wipe the surface to remove excess silicone oil with a soft cloth impregnated with a little alcohol without rubbing too hard to avoid damaging the work. Then, apply immediately on the degreased surface a layer of smoothing medium with a brush, it is essential to have a nicer result once glazed. Finally, once this layer of smoothing medium is dry to the touch, pour your Gedeo epoxy resin mixture to obtain a glaze that will give a relief and magnifying effect to your work.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eIV. VARNISHES\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eApplications:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhen the color is applied thickly, it is recommended to wait 1 to 2 weeks before varnishing the work.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe water-based acrylic varnishes are filling and non-yellowing. They give a perfectly taut, flexible and indelible film.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThey exist in versions :\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eglossy: perfectly transparent,\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ematte: rather opalescent and anti-UV,\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eand, satin.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe acrylic varnishes phase solvent * are filling and non-yellowing. They give a perfectly taut, flexible and indelible film. They have the particularity to guarantee the possibility of restoration of the work.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThey exist in the following versions :\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eglossy: perfectly transparent,\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ematte: rather opalescent,\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eand, satin.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe anti-UV varnish solvent phase *\/**, satin appearance and waterproof, filters ultraviolet rays. Once dry, it can be removed with an alcohol\/water mixture without altering the acrylic color.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eV. CLEANING AIDS\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eApplications:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis cleaner is suitable for all painting utensils, it keeps brushes supple and shaped. It dissolves acrylic and varnish even when dry.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e► Universal stripper *\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eApplications:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis strong, highly effective solvent is used for stripping tools and equipment on which oils or acrylics have dried.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"ARTISTA","offers":[{"title":"Default Title","offer_id":42773751136304,"sku":"832117","price":27.95,"currency_code":"GEL","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0673\/4902\/0720\/files\/628155_1000_1_-pebeo-colourless-phosphorescent-gel-100ml_1_502ca530-8c92-4af2-905a-146e6c723ade.jpg?v=1770887559","url":"https:\/\/artista.ge\/products\/fosforis-saghebavi-uferuli-akrili-studio-acrylics-100-ml-phosphorescent-gel-colourless-green-pebeo","provider":"ARTISTA","version":"1.0","type":"link"}