PHOSPHORESC GEL ST GREEN 225ML

The auxiliaries of the Studio GREEN range have 100% recycled resin, which generates 6 to 7 times less CO2 emissions than traditional binders and which boasts performance in terms of adhesion, strength, flexibility and durability that is completely comparable to traditional acrylic resins. All these auxiliaries can be combined with each other for even more creative possibilities

I. PRIMERS: GESSO

Gesso is a universal primer used to prepare painting surfaces such as canvas, cardboard, wood... Its matte surface improves the adhesion of acrylic or oil paint layers, and is applied on a clean, non-greasy surface using a brush, knife or roller. It can be sanded after application and provides a perfectly smooth surface.

STUDIO GREEN WHITE GESSO

White covering and adhesive primer to prepare surfaces for painting. Apply on any clean, non-greasy surface. Matt finish, fast drying.

STUDIO GREEN WHITE GESSO ONE COAT

EXTRA white covering and adhesive primer to prepare surfaces for painting in one coat. It has a higher concentration of titanium white than Studio GREEN White Gesso. Apply on any clean, non-greasy surface. Matt finish, fast drying.

STUDIO GREEN GESSO BLACK

EXTRA black covering and adhesive primer to prepare surfaces for painting in one coat. Apply on clean, non-greasy surfaces. Matt finish, fast drying.

II. MEDIUMS

Acrylic binder more fluid than a gel, with multiple uses: alone or mixed with colour, in all proportions and at all stages of your work.

 BINDEX 3IN1 STUDIO GREEN

Non-yellowing 3 in 1 binder for the preparation of acrylic colours (mixed with acrylic colours, giving them transparency and depth without compromising them), glazes, collages, inlays, image transfers, hardening paper objects , ...  Translucent, satin matt finish. Fast drying, dilute with water.

STUDIO GREEN TRANSPARENT FLUID MEDIUM

Non-yellowing medium to increase transparency and thin colours to achieve the desired viscosity without compromising the paint (unlike adding water).

An ideal mix for the pouring technique would be: 1 part medium / 1 part colour / 1.5 parts water, then set aside for 1 hour before pouring.

Translucent, satin finish. It can be used on dry colour as a satin topcoat.

III. THE GEL

More consistent than the medium.

 STUDIO GREEN PHOSPHORESCENT GEL

Phosphorescent gel to produce a glow in the dark effect. Translucent, satin matt finish after drying. For best results, apply alone and thickly with a painting knife.

IV. MODELLING PASTE

 Modelling paste is a ready-to-use acrylic paste for creating reliefs and impasto, especially for creating dimensions. It is applied with a painting knife, and may be mixed with colours when moist that will slightly deteriorate it. It retains the imprint of the tool and can be sculpted, painted and sanded when dry. After drying, it keeps its volume perfectly, remains opaque and does not crack.

Mixing the two modelling pastes achieves a moderate viscosity.

STUDIO GREEN MODELLING PASTE

Opaque modelling paste to create relief. It can be used alone or mixed with acrylic colour. Keeps its volume and does not crack when drying.

STUDIO GREEN THICK MODELLING PASTE

Thick and opaque heavy modelling paste for creating reliefs and impasto. It is more stiff than Studio Green modelling clay. It can be used alone or mixed with acrylic colour. Keeps its volume and does not crack when drying.